La Vigne du Perron – KATAPNHA 2009

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Once upon a time, for a fortunately very brief moment, the wine world that I was surrounded by was full of English men in red trousers (tendentially) boasting about the old vintages that they’d recently (or not so recently) tasted.

The conversation would go something like:

> “Oh, don’t you remember how wonderful the Chateau So-and-So 1986 was…”

> “No, no, old boy, the 1982 vintage was far superior…”

It was a side of the wine industry that I didn’t like – firstly because I hadn’t even been born when these wines were bottled and by the time I knew how to work a corkscrew, they had become as rare as a pink unicorn.

The atmosphere was so ridiculously pompous and self-absorbed that I wanted none of it.

The thing is, in many markets, wine is seen as a luxury product. It is a status symbol and thereby, a subject about which many people aspire to be seen as knowledgeable.

Nowadays, the sector of the wine industry that I have chosen to immerse myself in (natural wine) seems to focus less on back vintages and more on figureheads. Instead of showing off which historic vintages you’ve tried, it’s a roll call of producers who have succeeded in developing a cult-like following.

I remember a card game called Top Trumps that my little sister liked to play in the playground at school. The behaviour of natural wine fans is remarkably similar: when you share a photo online (Instagram or Facebook are the main playing fields) you get 20 points for a Puzelat label, 50 points for Ganevat and Sélosse… but Overnoy trumps anything else that’s been played before.

I rejected the self-important bluster of nineteen hundred and something and I also reject this unfounded frenzy around certain names. I prefer to take my own way, discovering new producers, little-known regions and under-valued grape varieties.


LA VIGNE DU PERRON (Vin de France – situated in Villebois 01150) Katapnha / Katarina 2009 Chardonnay (13.5%) 

That said, there is something very special about old vintages. The way wine evolves over time is one of the main aspects that fascinates me.

On the odd occasion that I have something remarkable, I save it for a special occasion – birthday or anniversary – and only in deserving company.

However, today, Sunday lunch, for no particular reason, the boy pulls out a bottle from 2009. It’s written Katapnha but I’m pretty sure it’s pronounced Katarina. With no other information, we pop the cork and pour a glass. Just from the nose alone, it is quite evidently chardonnay.

Chardonnay has this fantastic quality – oxidation. Young, it is like going for a walk along a Scottish beach in January. Bracing winds, with your coat zipped up as far as your ears.

But by the time the wine has evolved (8-10 years will do the trick) it is as enveloping and intoxicating as dusk on a summer’s day. Aromatic, leafy, as you bask in the last of the sun’s rays. Rich, generous, bordering on opulent. There’s that tell-tale acidity but it is cooling, refreshing, and indulgantly pleasant. It is, quite simply, stupendous.

And on that note, I must away. Grapes need to be picked.

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A Happy Find – Clos du Tue-Boeuf’s La Guerrerie 2009

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I should start this post by explaining that my wine collection is not vast. As you would expect if you have even the slightest idea of who I am and what I do, the provenance of these wines is mainly French and Italian. Curiously, as a whole, it is weighted more towards red wines than to whites or sparkling. I have about 30 bottles laid out on a wine rack and the others are still in their boxes. Despite all my best attempts to catalogue the bottles, every so often, I find something unexpected.

Gallo’s 2006 Merlot is one of them. Thierry Puzelat’s 2009 La Guerrerie is another.


Clos du Tue-Boeuf (Touraine AOC, Loire) La Guerrerie 2009 66% Côt, 33% Gamay (12.5%

If you are in any way familiar with the natural wine scene, Thierry Puzelat should need no introduction.

However, you may be unfamiliar with the grape variety Côt; it is essentially another name for Malbec. In France, Malbec is most notably found in the Cahors region in the south-west, where it can go by the name “Auxerrois,” and in Bordeaux where it is minor variety, predominantly used for blending. It has also made a name for itself in Argentina where it seems perfectly at home at high-altitudes of Mendoza. 

Anyway, to get back to the point of this post, we need to look more closely at the Loire Valley.

Whilst Côt has a couple of more famous neighbours, it has its own, distinctly original form of expression.

Unlike Cabernet Franc, it does not have the black pepper, green capiscum and cassis aromatics that you find in Chinon and Bourgueil.

Unlike Grolleau, it’s a heavyweight wine, which is sturdy and sure of itself.

It’s obviously not Pinot Noir (that you find in Sancerre and a little further in Burgundy.)

It is instead spicy and warming. It has a heavily tinted, deep, mulberry colour and a very pleasing aromatic profile. 

Upon first opening, the initial impression is the unmistakable sign of its vinification in wooden barrels. However, for a 2009, it still smells remarkably youthful. There is no sign of oxidation.

Now almost 8 years old, this wine is at its peak. It harmoniously blends fruit (ripe red fruit – think raspberries, sloe berries and redcurrant jelly) with spice (hearty, cajun spice. Incidentally, it made a wonderful accompaniment to our BBQ-ed jerk chicken.) There’s still enough acidity to keep it lively and enough mellow tannins to be pleasing on the palate. A great find!


Tasted: 23rd August 2017

Price: unknown

Rating: ****


Clos de Tue-Boeuf website

A Rebuttal of “Pink” Rosé Wine

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Watch the video above. Admittedly, it’s two minutes and four seconds of your life you’ll never get back… but it’s a sneak-peak into an aspect of the wine business that I don’t experience very often.

As a winemaker now, people tend to look to me to taste for the table, which used to be an incredibly intimidating process. But one way that you can always look professional… is SST: swirl, smell, taste,” explains actress-and-winemaker Drew Barrymore.

We’re off to a pretty good start. The awkwardness of ordering wine in a restaurant is a situation that nearly every one of us has been in at some point. (Yes, even wine industry folk occasionally find themselves outside their comfort zone.) (P.S. Wait until you get to the end of this post for some real straight-talking.) 

Her “SST” method (especially when you watch the video) doesn’t inspire a whole lot of confidence (doesn’t she know that you really ought to stick your nose into the glass…?) but it’s good advice. It is essentially another way of describing the WSET’s Systematic Approach to Tasting.

Rosé is when you peel the skin off the grape earlier. It’s a cold fermentation.

Oh dear. I really dislike when women don’t know what they’re talking about. It perpetuates the common expectation that we’re just the pretty face accompanying a man who knows everything. However, in this case, it seems to be true.

The other half of this winemaking team is Kris Kato and he eloquently explains: “For our Rosé we pick the grapes a little early, using a soft press process and separate the juice from the skins. It’s much like making the white wine. It’s really about minimizing the color, which is why we get beautiful hue. Cold slow fermentation all in stainless steel to preserve the aromatics and the freshness.” (source)

Moving on…

If it’s too dark, I know it’s gonna be, just not my style.

Now that’s fair enough. Each to their own. Also, the more insipid Cotes de Provence you drink, the more of the good stuff there’ll be left for me!! I like dark-hued rosé wines because they tend to have personality, they’re more versatile and food-friendly and, most importantly, they don’t make you feel that someone might have swapped your grape juice for paint stripper.

I think a rose should have that inherently Pavlovian to women, peachy-pink quality, that just draws us in. Somehow, I don’t know what it is about us girls, but we love pink.

I’m torn. Seriously torn. Do I address the horribly stereotypical and out-dated idea that all girls must love pink or do I admit that I have no clue what she means by “inherently Pavlovian quality”……

I do like a light, easy-drinking wine. Also wines which feel very clean, um, and actually make your whole body feel good, after numerous glasses, is a really tell-tale sign for me, and the absence of that coined sugar and sweetness, really contributes to that really beautiful clean ability to enjoy it without feeling heavy.

In contrast, I’m going to be short and simple. I want my grapes to be pressed, not peeled. I don’t want a wine that has been stripped of all its character. If I wanted something so healthy and virtuous, I would pour myself a glass of water or almond milk or whatever it is Californians are drinking these days. 

Am I alone in wanting my wine to taste of grapes?

On a serious note, I feel that what Drew Barrymore is actually trying to convey is her opinion that somehow pale rosé is healthier, tastier and better for you.

Maybe in the US market, this is true. In Europe, it’s certainly not.

I don’t want – and won’t drink – a wine which has been forced to within an inch of its life and then been resuscitated with sulphur and tartaric acid.


This brings me onto the type of rosé that I want to drink.

Cantina Margò (winemaker Carlo Tabarrini)’s Fiero Rosato 2015.

Having been open in my fridge for a couple of days already, it’s lost some of the more subtle aromatics that it had at the beginning. Nevertheless, it has the colour of a blood orange. The nose is an explosion of redcurrants and wild strawberries. Beautifully soft and integrated acidity, it finishes on a slightly salty note which makes it wonderful for pairing with food. It’s a natural wine. It’s vibrant and has tons of character, not a gram of “coined sugar” and gosh, I would happily drink this every day.

Price: €€

Rating: ****


I promised you something good at the end of this blog post. Here is Michael McIntyre explaining some real home truths about ordering wine at a restaurant.

Lusenti’s Bianca Regina 2010

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I went to Venice yesterday. Had a delicious lunch at Estro (highly recommended, by the way!) and then decided to see if I could retrace my steps to a cute, little wine bar that I stumbled across in December.

Fortunately, my trusty nose / ability to find wine / sense of direction is pretty good and, even though I didn’t remember the name or address, I was able to find my way back to the Cantina Arnaldi (also totally worth the visit.)

Andrea at Cantina Arnaldi, Venezia

Andrea of the Cantina Arnaldi, Venezia

I actually had a secret agenda – I wanted to bring a bottle of something a little different back for my boyfriend, “A”. I asked Andrea at Arnaldi (pictured above) for a suggestion… and it turns out to have been spot on. It’s one of the most interesting wines I’ve drunk recently.


LUSENTI (Colli Piacentini DOC, Emilia) Bianca Regina 2010 Malvasia di Candia Aromatica (13.5%)

Lusenti is an organic winery and part of the VinNatur association but one that I didn’t know of before. They’re located near Piacenza in Emilia-Romagna, set in a unique micro-climate between the Po river and the Apennine mountains.

Once harvested, the grapes are left for three or four days for a skin-contact maceration at controlled temperatures.

I’m actually a pretty mean girlfriend because, once I got home, I put some aluminium foil around the bottle and poured a glass for “A” to taste blind.

On first impressions, it smells sweet: lots of ripe apricot, honey, quince and fresh nutmeg. “A” got it straight away, “Malvasia!”

With a traffic-light amber colour, the wine’s vintage was harder to guess. It’s clearly relatively mature because the juice is completely in place but there’s no hint of oxidation. Timeless.

What I found particularly enjoyable about this wine is the gustatory sensations. Despite the sweet nose, the wine is almost completely bone dry. It seduces you in phases: starting with fleshy fruits and almonds, moving through tannins, acidity and mentholated freshness and finishing on a slight bitterness, very typical of skin-contact wines. Lipsmackingly moreish!


Tasted: 13th March 2017

Price: €€

Rating: ****


Lusenti website and Facebook

Six Great Red Wines from the “Vin Passion” Tasting 2017

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While the entirety of my Facebook community was in the Loire Valley this past weekend for the annual circuit of Greniers Saint Jean, Pénitentes, Anonymes, La Levée and La Dive, I was at home, nursing my luckless puppy back to four paws.

I was, however, fortunate enough to hit up a small natural wine tasting called Vin Passion (formerly “Les Amis de la Cugnette”) near Lyon the week before.


Here are my six favourite red wines from the tasting:

TENUTA GRILLO (Piedmont) “Pecoranera” Monferrato DOC 2004 Freisa (75%) with Dolcetto, Barbera & Merlot (14.5%)

Freisa is one of the most underrated grapes from Piedmont. Tenuta Migliavacca make a delicious version which I’m familiar with, but to taste Tenuta Grillo’s Freisa from 2004 was very interesting. The aromas were obviously more evolved and but still showed plenty of delicious red fruit. On the palate, it’s a little rustic, but it’s very typical of this area. Lots of liquorice spice and jammy cassis fruit. The tannins from the dolcetto bring a persistent mouthfeel but it tastes remarkably fresh for its age. Would make a delicious pairing with mushroom risottos or lamb with wild herbs.

PITHON-PAILLÉ (Loire) “Dessus Narçay” Chinon 2015 Cabernet Franc

Vibrant, old-vine Cabernet Franc at its best. This wine balances effortlessly upon a tightrope of spice (cloves, mace), fruit (jammy and cooked) and savoury characters (game and bell pepper.) The delicious finish bears testimony to 2015 being such a good vintage in this part of the Loire.

2016, in contrast, was a disaster in Chinon. Jo’s vines suffered first a bout of ice and then drought. Sadly no Chinon will be produced.

WALTER MASSA (Piedmont) “Monleale” Colli Tortonesi DOC 2010 Barbera (14%) 

Walter is known for his white wines (made with the little-known grape “Timorasso”) but his reds are also noteworthy. This Barbera (bearing the same name as Walter’s village) maintains an incredible freshness. It has huge vivacity in the mouth with lively acidity – typical for Barbera. This only accentuates the red fruit characters (raspberry, red cherry) which dominate the palate. Complex.

FRANCK PEILLOT (Savoie) Bugey AOC 2015 Mondeuse

A surprisingly elegant and supple wine. An inviting violet colour, leads to dense fruit characters (black cherry and garrigue) and a mildly smoky nose. The palate is open and expressive. Medium-bodied. Smooth finish, rounded out by very delicate and integrated tannins.

CHRISTOPHE ABBET (Valais, Switzerland) Syrah 2014

Christophe Abbet’s juice was, for me, one of the most interesting discoveries at the Vin Passion wine fair. All beautifully-balanced, elegant wines, I chose to write about the syrah because it was so totally different from the wine I’d sipped the night before (see below!) This had a deep, dark colour; a midnight blue. The nose was medicinal (eucalyptus), fruity (cassis) and floral (violet) and totally surprising. Such an aromatic start turned into a delicate mouthfeel (think, blueberry yoghurt and crème de cassis.) Utterly delicious.

NOËL VERSET (Rhone) Cornas 1999 Syrah

It is wines like this that remind you why you work in the wine industry in the first place. This is one of the most aromatic wines I’ve had the chance to drink in a long time and it’s a textbook example of a perfectly mature syrah: tobacco box, leather, vanilla, tart blueberries… Despite 18 years of ageing, this Cornas still tasted amazingly fresh. The silky tannins melt away and are replaced by an acidity which deserves its own Ode to Joy. It’s my wildcard because, obviously it wasn’t one of the wines in the exhibition. (Noël Verset retired in 2000 and died in 2015.) I tasted it at the winemaker dinner on Saturday night. Thank you to Eric Texier for bringing his treasured bottle over to me!

Anna & André Durrmann Grand Cru Wiebelsberg 2012

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It’s been a long time since I’ve been able to enjoy a Snow Day. If you’re not familiar with the term, a Snow Day is when you’re able to call your boss and say “Can’t come into work today – I’m snowed in.”

The thing is, having been self-employed for just short of three years now, there is no boss to call and justify my absence.

vineyards in the snow

Walking through the snowy Soave vineyards with the puppy.

With this wintery weather, however, the road to Castelcerino was under considerable snow, making the decision to stay by the warm fire at The Boy’s house a very easy one.

While he went off to work (he, woe betide, couldn’t use the same excuse) and because his supply of teabags was already at a dangerously low level, I decided to do the responsible thing and open a bottle of wine instead!

It just so happened to be a wine from Alsace, in eastern France, and more specifically a Riesling from the Durrmann family’s Grand Cru Wiebelsberg.  Continue reading

Castagna Sparkling Genesis Shiraz 2008

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Like a pink glittery unicorn, it’s not supposed to exist.

When we think of sparkling wine, we tend to think of Champagne, Prosecco or Cava. If you’re hooked on the natural wine movement, you may well start fantasising about a pétillant naturel (pét nat, if you want to be down with the kids) or a metodo ancestrale.

For the most part, these wines tend to be white… even if they’re made from red-skinned grapes.

(Remember that “Blanc de Noirs” in French literally means “White from Blacks” and refers to a white Champagne made from the red-skinned Pinot Noir and Pinot Meunier.)

In Europe, we are quite used to seeing sparkling rosé wines too. In the UK at least, they are targeted towards the female demographic for 364 days of the year and towards porters of Y chromosomes specifically on Valentine’s Day.

This brings me to the elephant in the room: a sparkling red wine.

I’m not talking a deep pink colours, as you might get from a Gamay Teinturier grape in France or the Salamino grape used for Lambrusco in Italy; no, I mean as red as robin red breast or a papal gown. Continue reading